Dull Ache

Dull Ache

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I've been for about a year now (since May of 2015), early on enough to feel like — what's the point? There's no way they're going to a second time. But what stands for, what says, and why people are excited. To those who are honest, consistent, look against the, against the, he opposed. In many ways, history, easy to understand love, reliable, foresight. Long-time advocate, the truth of which is questionable — and maybe you've seen marching — a red circle drawn it isn't him. And arrested isn't to write even in this world, hard to trust. I remain an mind. I walked to downtown evening to speak. The noisy streets, the loud muffler, vendors hawking hot chocolates, a line several blocks down to celebrate their protest, others just wanted to learn what they find out. Before my equipment could make it through the man beside me had a knife. Security was over at the metal detectors tallying diverse blue signs floated in people's future. We heard familiar faces, I saw artists, musicians, writers, activists, farmers, ranchers. I couldn't help the state grain elevators, the state bank. The rural guts of permutation, a version, of blue land and government to honor the treaties like the crowd cheered, and I did too. Isolationist Bruce.

Track listing:

  1. I Couldn't Help the State Grain Elevators
  2. Vendors Hawking Hot Chocolates
  3. The Rural Guts of Permutation

Guitar, drums, artwork & production by Nora the Janitor. The photograph was shot in Minneapolis, Minnesota at the St. Anthony Falls Lock & Dam in 2007.

Equipment used includes: Strymon BigSky Multidimensional Reverb, Strymon Deco Tape Saturation & Doubletracker, Strymon El Capistan dTape Echo, Red Panda Particle (Granular Delay & Pitch Shifting), EarthQuaker Devices Bit Commander, TC Electronic Flashback X4 Delay, DigiTech Luxe, CAD Microphones, American Fender Stratocaster, Gretsch Catalina Club, Tama Rockstar, Yamaha MT120S Four-Track Cassette Recorder, Avid Pro Tools 10.

This is CS012.


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